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Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford...

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imdb: 5.5

duration: 1h 45min

tags: H.B. Halicki's original classic (DVD)

budget: $150,000

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Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford Mustang, are in the bag. As Pace prepares to rip-off the fastback, codenamed "Eleanor", in Long Beach, he is unaware that his boss has tipped off the police after a business dispute. Detectives are waiting and pursue Pace through five cities as he desperately tries to get away. Spoilers. (!)

Influential car chase/crash film, with a sort of deadpan/documentary acting style and editing, about a ring of pro and very slick car thieves, who steal only the best cars sometimes right under the owner's nose, leading up to the clever half hour car chase, which is the heart of the film, in which the bad guy (good guy?) gets away with seemingly the entire LAPD and sheriff's after him, with police and news choppers following the whole thing and reporting to local radio. But he gets away (unlike a similar Vanishing Point car chase film, which I think came out a few years later).

The look of the yellow Mustang fastback (?), the chase car, is one that stuck with a lot of people, and probably has contributed to the value of such now collector cars. It looked . . cool. A yellow '73 Mustang, I believe - referred to by the thieves in code as - Eleanor. People might remember the chase in Bullit. But they remember the car from this film.

The thing about the lead up, even the chase itself, is that for the choreography of the chase, and the participation of SO many different police departments and cities (which was something), one remembers the almost pseudo-documentary nature of the thing. The actors walk through it as just another day on their job, without a lot of posing or melodrama, without it even so much looking like a film, as it were - save for the subplot which leads to the chase. That was kind of refreshing, even then, and likely wouldn't be seen in the remake pending, of the same name (likely just Speed 5 with some phony romantic thread).

The unremarkable offramps, dirt shoulders, car dealerships, highways and byways of the greater LA area probably never looked so interesting as in this movie. This film is a true work of art, and far superior to the big budget remake some twenty-five years later.

As some other reviewers have mentioned, the set-up story that precedes the chase and occupies the first half of the film certainly stood no chance of taking any Oscars for acting or screenplay. None of the characters are played by actors, and it shows, at times laughably. Having said that, Halicki actually does turn out a competent story that makes sense. The amateurishness of it only serves to make the characters easier to identify with than a more polished performance might. Hollywood thought it was good enough to spend several million swiping it in 2000, and the fatal flaw of the remake is that it takes itself far too seriously.

There is some degree of character development and one understands the motivation behind the characters actions. I wasn't bored with it at all. Further, the entire film is a pleasant time-capsule visitation back to 1974, when cars were enormous and powerful and gas was still affordable. I was particularly amused at the pervasive perception of insurance companies as absolutely crooked and devoid of any moral fiber whatsoever…some things never change, they're even worse today. It is this underlying theme that serves to flip the position of good guys/bad guys in this story and has you rooting for car thieves to be successful in their quest.

Of course, the real reason to see this film is the famous 40-minute chase sequence. THIS is a car chase, and once you have seen it you will find yourself wondering why anyone ever considered the pathetic "Bullitt" worth a second thought. If a film's purpose is to entertain, then I can find no fault with this one.

The only drawback I would note is that the 25th anniversary release of the film on DVD has some rather notable sound issues. Be sure you have good batteries in your remote because you'll be on the volume switch constantly. The roar of the engines is exponentially louder than any of the dialog, and there are frequently brief scenes where extras or even the main characters appear to be speaking but have no voices at all. This seems to be a common malady with many of today's DVD releases and while it shouldn't ruin the film experience for you, it is distraction and you should be aware of it before you pay good money for a DVD. Because Mandrian is dating Eugene's sister, Pumpkin and his brother Stanley works for Harlan at his shop.


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In the year 2000, criminals are frozen, handguns are banned from everyone--including the police, and crime is at an all time low... So why has the mayor been murdered with an illegal handgun? Rookie cop Shawn McCormick is asking these questions while still trying to learn the ropes of the police department. Letting her curiousity getting the better of her, Shawn recovers the murder weapon and begins asking too many questions resulting in the killer, an ex-cop and unfrozen convicted murderer, Thomas J. Watts, to shoot her in the head and leave her for dead. She is saved, however, by a computer chip transplant to her brain, but the resulting damage has caused her to lose her most recent memory. Meanwhile, the Knight Foundation is trying to stay alive in the city by trying to win a contract for their new project, the Knight 4000. The police department wants them out--why should they have to stumble over a freelance organization? The Deputy Mayor Harold Abbey, newly promoted to succeed the late mayor, gives them 30 days to complete the 4000. Russell Maddock, the new Foundation CEO is too proud to ask for help, leaving Devon Miles, still the controlling entity of the Foundation, to look himself. Michael Knight has moved on to a simpler life. Fishing, relaxing, waxing his classic 1957 Chevy every other day, and trying hard to leave his life in the Foundation behind. When Devon shows up to ask for help, he has a hard time being convinced that it is worth it to return, but he finally decides to do so... "only under one condition." Only there is no condition... not anymore. The Knight Industries Two Thousand- or KITT for short, once the cornerstone of AI Technology, has been deactivated and dismantled. Devon and Michael are outraged, Maddock is uncaring, indicating that the Knight 4000 is on it's way, so the old must go. Michael somehow gains the technological knowhow to restore and reactivate KITT, and then place him into his 57 Chevy. KITT is angry for being deactivated and shoved out of the way for ten years, and even more angry that his parts were sold off, and the one part that wasn't recovered, his memory chip, was swapped for a bogus chip. Guess where his original chip ended up... Shawn finds her way to the Knight Foundation after quitting the police department and it is quickly revealed that the transplant has altered her personality. She is more aggressive and less of a team player, but has a superior intellect thanks to her bionic technology. Shawn is hired and brought on board as Michael's partner to help investigate the growing illegal handgun problems in the city. Thanks to KITT's help and their constant investigation, they discover a massive police department conspiracy to sell banned handguns on the black market, but their discoveries place their lives in peril and causes the death of one of the Foundation's own. In the future, guns are banned and criminals are frozen for the duration of their sentences. A recent spate of killings involving handguns brings Michael Knight back to fight for justice, but he insists of the help of KITT, his artificially-intelligent car from decades ago. The only problem is that KITT has been deactivated. "Knight Rider 2000" is a very well-made film, originally produced as the pilot for a new show with Susan Norman and Carmen Argenziano as the main leads. David Hasselhoff, Edward Mulhare, and William Daniels all reprised their roles, and its a real shame the new series never took off; I'd have watched it for sure.

The story is fairly simple, but effective. 14 years after the end of the series, Devon Miles (Mulhare) still runs the Knight Foundation, partnered with former district attorney Russell Maddock (Argenziano). Conventional firearms have been banned across the board, even from the police. Evildoers are no longer held in jail cells, but cryogenically frozen for their crimes. When a Seattle mayor is shot with a semi-automatic handgun, Devon seeks out retired ally Michael Knight (Hasselhoff) to aid the investigation, pairing him with a rebuilt KITT (Daniels), and police officer Shawn McCormick (Norman). The villain of the piece is Thomas J. Watts (Mitch Pileggi), a former cop turned gunrunner, with a notable connection to McCormick.

This film originally aired in 1991, and has become a cult favorite for fans of the series. Its easily light-years ahead of any other attempt to revive the property, including 1997's "Team Knight Rider" and the 2008 reboot starring Justin Bruening and Deanna Russo. The original show is still the best of them all, but this movie's a worthy successor, included on both the standalone Season 1 DVD set and the Complete Series package. This was filmed in San Antonio, Texas.. where I live. At the time a huge deal was made about it.

All the locations in the movie were pre-existing. The gold mirrored building has been around for years before this was made, but is in a urban surrounding and was edited to stand alone... also coincidentally was color hued for the movie .. its actually silver. Also in the movie are scenes of San Antonio's Riverwalk .. complete with KITT "driving" on it.

The car used is a Pontiac Banshee prototype that was never put into production.. some say cause of the failure of this movie. Even if your a fan of the original series this movie is totally worth skipping. I was .. and watching this killed my inner child.


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Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the evil Darth Vader. Part IV in George Lucas' epic, Star Wars: A New Hope opens with a Rebel ship being boarded by the tyrannical Darth Vader. The plot then follows the life of a simple farm boy, Luke Skywalker, as he and his newly met allies (Han Solo, Chewbacca, Obi-Wan Kenobi, C-3PO, R2-D2) attempt to rescue a Rebel leader, Princess Leia, from the clutches of the Empire. The conclusion is culminated as the Rebels, including Skywalker and flying ace Wedge Antilles make an attack on the Empire's most powerful and ominous weapon, the Death Star. Star Wars Ep IV was amazing. The special effects were eye-popping and the story was simple but powerful. The story was based upon the legends and fables of previous times, and this film was a great way of making these moral values relevant to the youth of today. George Lucas mastered the use of symbols and technical codes to make this story meaningful when read between the lines. In short, Star Wars was a simple, moral story that will appeal to young and old alike. OK, this is a pretty good movie. It's biblical allegory in an ostensibly futuristic, but uncomplicated visually, setting. It's fun to watch.

But folks who call this the best film ever made are laughably delusional. Perhaps the only other movies they're ever seen were the Star Trek series... Still packs an entertaining punch with its blend of old-movie formulas, new-age philosophies, and video-game visuals. A small amount of new material, added for the 20th-anniversary reissue, is fun to look for but doesn't make much difference to the story or its impact. [Special Edition] A long time ago in a galaxy far, far away, the dark forces of the Galactic Empire, ruled by the tyrannic Emperor Palpatine, have constructed the all-powerful DeathStar, a weapon capable of destroying whole planets. However, a Rebel Alliance has also formed to restore freedom and justice to the Galaxy. Rebel leader Princess Leia Organa (Carrie Fisher) obtains the schematics for the DeathStar and hides them in droid R2D2 (Kenny Baker) where they are discovered on the desert planet Tatooine by farmboy Luke Skywalker (Mark Hamill). Aided by elderly Jedi knight Ben 'Obi-wan' Kenobi (Alec Guinness), smuggler pilot Han Solo (Harrison Ford), Solo's Wookie co-pilot Chewbacca (Peter Mayhew), and R2D2's friend C-3PO (Anthony Daniels), Skywalker sets out to rescue the princess, who has been taken captive by Palpatine's Sith Lord Darth Vader (David Prowse, voice of James Earl Jones). Star Wars IV: A New Hope, the movie, was first released in 1977 with the simple title Star Wars, based on a screenplay by American film-maker George Lucas. Based on the screenplay, the film was novelized as Star Wars: From the Adventures of Luke Skywalker (1976) by Alan Dean Foster, ghost-writing as George Lucas. Star Wars was heralded as a trilogy, and Lucas went on to co-write the screenplays for two sequels: Star Wars: Episode V - The Empire Strikes Back (1980) (1980) and Star Wars: Episode VI - Return of the Jedi (1983) (1983). This original trilogy was followed by a second trilogy of movies—Star Wars: Episode I - The Phantom Menace (1999) (1999), Star Wars: Episode II - Attack of the Clones (2002) (2002), and Star Wars: Episode III - Revenge of the Sith (2005) (2005), actually prequels to the storyline of the original trilogy. A third trilogy, the sequel trilogy, is in the works, with the first movie, Star Wars: Episode VII - The Force Awakens (2015), released in 2015, and the second and third movies—Star Wars: Episode VIII - The Last Jedi (2017) and Star Wars: Episode IX (2019) planned for release in 2017 and 2019 respectively. When the film was originally released in 1977, it was simply referred to as "Star Wars"; though supposedly, George Lucas had intended to include "Episode IV" and "A New Hope" in the opening crawl, but Twentieth Century Fox did not want Lucas to do so because they thought it would confuse audiences, since there were never any other episodes released before it. After the commercial success of the original Star Wars, Lucas was able to continue with the multi-film epic he originally envisioned. The first sequel, The Empire Strikes Back, was released in 1980 and bore the full title of "Star Wars, Episode V, The Empire Strikes Back" in the title crawl, although it was referred to only as "The Empire Strikes Back" as the title of its commercial release. It was the "Episode V" appearing in the opening crawl which originally confused those members of the audience who had not been made aware of what Lucas was explaining, that the original Star Wars was now to be understood to be the fourth part of a nine-part series. The original Star Wars was re-released in 1981 with a new title "Star Wars, Episode IV, A New Hope" in the title crawl. This title appeared on all subsequent re-releases and versions from then on (though the original version was released on DVD in 2006, which shows the title crawl in its original form). All subsequent Star Wars films have followed this new naming structure, although "Star Wars" often refers specifically to the 1977 film. Most likely the Imperial Academy. Keep in mind that Luke is very much unsatisfied with his life as a farm hand on a backwater planet. He yearns to make a life for himself out in the galaxy. He likely sees the Empire as his only means to see the galaxy and make a name for himself, despite him hating it. He only feels motivated to join the Rebellion after the murder of his Aunt and Uncle.

While the film does not specify, the novelization of the film indicates to what academy Luke and his uncle were referring. A deleted scene wherein Luke talks with his recently graduated friend Biggs indicates that Biggs was planning, along with several friends, to jump ship and seek out the Rebel Alliance after beginning their tours of duty on the vessel Rand Ecliptic. Luke already knows this information when he has the discussion with his uncle, but the text of the missing scene, as well as Luke's later talk with Ben Kenobi, show that Luke was very uncertain of the idea of joining with the Alliance despite his voiced opposition to the Galactic Empire and likely was not desiring to attend the Academy for the same reasons as his friend (though Biggs did not necessarily go to the Academy with the intention of joining the Alliance and may have heard about it while in school and decided where his true loyalties lay).

In the course of the film, it is never specified exactly what is taught at "the academy", which might simply be a name for a general college. Biggs seems to have trained as a fighter pilot there, suggesting that it is a military academy, or something akin to the United States Reserve Officers Training Corps (ROTC). The Empire, like other totalitarian states, seems to have taken over all educational institutions. Both Luke and Biggs probably have no great sympathy for the Empire, but they have no other educational options. Luke's desire to leave his home for school in search of a better future is similar to the themes explored in Lucas' previous film, American Graffiti (1973) (1973). By virtue of that, it might be that the name and type of academy is left vague intentionally in the film to imply that it does not matter.

Although Luke had no official training as a pilot, he had developed sufficient piloting skills in his spare time on Tatooine (as mentioned by Ben Kenobi). In fact, in Marvel's Star Wars comic series, a younger Luke Skywalker is shown to be quite the adept T-16 pilot. In order to aid the Alliance as much as possible, he was allowed to join the Rebel assault on the DeathStar despite his lack of formal training. However, his old friend Biggs vouched for him to Red Leader, calling Luke "the best bush pilot in the Outer Rim Territories." As he had never been through any combat training, one can only attribute his abilities in battle to an innate skill, or his sensitivity to the Force, or (as in the case of his father) both. It would, at first, seem unwise for Obi-Wan to hide a child with his adoptive parents and give him the same surname as the father from whom he was trying to hide the child. However, there are more sides to the story. In the film, the first time Luke is identified by his whole name is many scenes after he has agreed to go with Obi-Wan to Alderaan, so the audience cannot assume that he has always gone by the name of "Skywalker". Furthermore, as seen in the third prequel, Revenge of the Sith, Luke was delivered to Owen and Beru Lars by Obi-Wan Kenobi. We never learned what Obi-Wan has told them about Luke's family history.

Owen and Beru already knew that Anakin was a Jedi (having met him themselves in the second prequel, Attack of the Clones; but what Obi-Wan probably did not tell them was that Anakin had joined the Emperor, that Luke could one day destroy the Emperor and that Luke should therefore stay hidden from the Emperor (and, as Obi-Wan would later discover, Anakin/Vader too). If they had known, then Luke would certainly have been called "Lars", like his adoptive parents (just as Leia got her adoptive parents' name), to hide his ancestry. It may also have caused his uncle and aunt to take more extreme measures to keep Luke hidden, and if the truth about Luke was ever divulged by accident, the wrong people might have found out (since the Empire has spies everywhere surveying for a number of specific crucial things). Obi-Wan still needed Luke, believing that Luke might be the one to fulfill the prophecy of bringing balance to the Force. Owen and Beru were thus probably kept out of the loop, while Kenobi stuck around to made sure Luke would be safe and hear the truth when the time was right.

Obi-Wan probably told them that both Anakin and Padmé were killed in the Clone Wars, and that Owen and Beru were now Luke's only family. He may have added that: Luke might want to become a Jedi like his father one day and he could train with Obi-Wan. Obi-Wan rightly assumed that Tatooine was remote enough from the Empire for him not to be detected accidentally, so there would be no reason to give Luke a different name (the name "Skywalker" being already known from Luke's grandmother, Shmi, and not something to have raised questions on Tatooine).

From Obi-Wan's dialogue in the film, it appears that Owen assumed that Anakin died in the line of duty, and did not approve of Anakin's career as a reckless Jedi ("He [your uncle] didn't hold with your father's ideals. Thought he should have stayed here and not gotten involved"). Owen certainly did not want Luke to follow that same path ("Your father wanted you to have this [lightsaber] when you were old enough, but your uncle wouldn't allow it. He feared you might follow old Obi-Wan on some damn fool idealistic crusade like your father did"). He therefore told Luke that Anakin had been a navigator on a spice freighter, and warned him stay away from Obi-Wan ("That wizard's just a crazy old man"). The opposite is true of Leia, as her father is an important figure in the Rebel Alliance. Although Leia was never told about her true heritage; her father knew to keep her hidden from the Empire, and he even groomed her for an active role within the Rebel Alliance.

In the Star Wars comics released by Marvel, since Revenge of the Sith came out, a number of "side stories" have been released, showing Obi-Wan on Tatooine, looking over young Luke. In Obi-Wan's encounters with Owen Lars, it is clear that Owen does hold Obi-Wan responsible for Anakin's fate (exactly how much Owen was told is unclear) but he makes it clear that he does not want Anakin's son embarking down a similarly dangerous path. The only thing Obi-Wan ever says is that he doesn't "seem to remember ever owning a droid." This does not imply that he isn't familiar with them, merely that Luke saying "Then the droid does belong to you" is an untrue statement. It's possible that, as with other secrets, Obi-Wan doesn't reveal quite everything at first blush, and that what he does reveal could be seen as true from certain points of view. The whole setup is a lie from R2-D2, who claims to be the property of Obi-Wan, when in fact he's been in the possession of the Organas (and the Alliance) for a long time. R2's lie is just to get off the homestead and on with his mission. It's entirely possible that Obi-Wan does not recognize these droids at all. In the case of C-3PO, Obi-Wan and the protocol droid never meet until the Clone Wars, and even then, those meetings are likely infrequent between a Jedi on the front lines of a war and the protocol droid of a galactic senator. After a scant few scenes together in Revenge of the Sith, Obi-Wan and 3PO part ways for the next 19 year. Likewise, R2 and Obi-Wan have minimal history together, starting with R2 just being one of the astromechs aboard the Queen's starship in Episode I and moving along to sharing all of one scene together in Episode II. The Clone Wars and Revenge of the Sith see the two meeting again occasionally, but R2's always Anakin's droid. They too part ways not to see each other for 19 years. Some faces of occasional acquaintances fade over time in real life, and the same could be said for the Star Wars universe. Worse, these droids are dime-a-dozen models, regularly seen throughout the galaxy. Especially without the droids mentioning their names (a point true when Obi-Wan delivers the line in question; in fact, 3PO isn't even directly present at the time), Obi-Wan recalling an R2 unit or protocol droid as a specific one he's worked with 19 years after the fact has about the same likelihood as someone from our time picking their specific iPhone 5 out of a lineup of identical phones almost twenty years later. As we see in Revenge of the Sith; Obi-Wan is referred to as "Master Kenobi" by Yoda after Luke's birth, but no one ever called him 'Ben' before that time, so it may be puzzling to hear him say otherwise in A New Hope. However, there are several explanations for this. The most technical would be that the chronology of the Star Wars saga was far from established at the time when the first movie was made. Lucas did not fully know how his saga would evolve, so he had no firmly established ideas about Obi-Wan Kenobi's back story yet. (In certain story drafts, Obi-Wan was even Owen Lars' brother, a fact offhandedly mentioned in the novelization of Return of the Jedi.) Kenobi's history gradually became more fleshed out during the production of the next five movies, and Lucas may have made changes along the way that sometimes deviated from what had been established earlier. This discrepancy may simply reflect the improvisational nature of the writing process. As an in-story explanation, one could argue that Kenobi has been on Tatooine for 19 years; assuming the name of "Ben" for a long time already, he may simply have forgotten when he exactly stopped using the name "Obi-Wan". He could also mean it in a symbolic way: Obi-Wan was his name by which his fellow Jedi used to call him. In the years when he had served in the Clone Wars before Luke was born, he was addressed as "Master Kenobi" or "General Kenobi" more often. He may have meant to say that he has been more of a soldier and a simple hermit than a Jedi for the last decades.

There is another important reason, which may tie in to the questions why Kenobi lies about Luke's father, the lightsaber and possibly also about not recognizing R2-D2 and C-3PO: Kenobi could tell Luke the truth, that he stopped using the name Obi-Wan just after Luke's birth, but such a coincidence would only increase Luke's curiosity. It would raise many questions from Luke, forcing Obi-Wan to admit he was present at Luke's birth, how he brought Luke to his uncle and aunt, and what really happened to his father, all information he is not yet ready to reveal. Therefore, Kenobi stays vague about this, acknowledging that he knew Anakin, but remaining silent about Anakin's fate, and his own part in this. Obi-wan describes the Force as "an energy field created by all living things. It surrounds us, penetrates us, and binds the galaxy together." It's the Force that gives the Jedi his powers. The Force may be conceived of as being similar to concepts of "life force" as found in many ancient cultures of this world, i.e., e.g., "chi" (氣) ("qi" in China) ("ki" in Japan), prana (प्राण) in India, Wakan Tanka or the Great Spirit in various Native American cultures. The Empire was an oppressive regime which overtook The Old Republic. The Empire would strip certain planets of their resources, effectively polluting and destroying them. They would also enslave the populations of these planets. One example is the Chewbacca's homeworld of Kashyyyk. The Empire reached the pinnacle of their oppressiveness with the creation of the Death Star. A super weapon capable of destroying an entire planet. Intending to use fear to keep anyone from considering a rebellion. One could conclude that perhaps Anakin had at some time spoken of having a child and wanting that child to follow in his footsteps, but given the strict Jedi Code which forbade this (as revealed in the prequels), that would seem an unlikely desire/admission. Perhaps the best way to summarise what Obi-Wan really meant would be to say that: Obi-Wan knew that Luke would be the only hope of destroying the Emperor, and he himself wanted Luke to one day have the weapon and become a Jedi. But by telling Luke this was his father's wish and not his own, he knew Luke would be more drawn to taking the weapon. Or it could be that Obi-Wan honestly felt that this is what Anakin would have wanted. A central feature of both confrontations between Luke and Vader is Obi-Wan's trustworthiness, first about what really happened to Luke's father, then about having hidden Leia. Here Obi-Wan is again acting in the name of Anakin's good side. Alternately, he might simply wish to keep the truth of Luke's parentage secret for the time being, preferring for Luke to have fond feelings toward his father, the man Obi-Wan knew before Anakin's fall to the dark side. It could be assumed that based on their close friendship, Obi-Wan was projecting what he believed his friend Anakin would have wanted prior to turning to the dark side of the Force. Obi-Wan speaks of Anakin and Vader as if they are two completely separate people. He may truly feel that what he is telling Luke is the truth "from a certain point of view." In the original release, Han shot first before Greedo ever even pressed the trigger of his blaster, so in reality Greedo never even got the chance to shoot—we see Han slyly drawing his own blaster during the conversation and when he shoots Greedo, we get a closeup of Greedo's face that disappears in a flash of flames. In the Special Edition and subsequent versions, Greedo's actions were retconned in that laser bolts were added as he raised his blaster. This newly inserted blaster shot missed which was then followed by Han's original deadly blaster shot. This revised scene has been presented thus far in three different ways. The 1997 theatrical release and subsequent VHS release allowed a rather slack amount of time between Greedo firing and Han returning fire. For the 2004 DVD release, the lag time was removed, with the characters firing very nearly at the same time. The Blu-ray release cut the scene even tighter-we now do not even see Greedo's pistol discharge; his laser bolt is already traversing the shot as it begins, with Han firing only a frame or so later. In terms of the film, it could be said that it is possible that while Jabba knew that Han had shot Greedo in the cantina, he was not aware of the details of the conversation Han had with him. Therefore, if Jabba makes a similar comment to what Greedo said about dumping his shipment. He would get a similar answer. Also, it adds a bit more humour where Han uses the exact same excuse word-for-word with Jabba that he did with Greedo: "Even I get boarded sometimes. Do you think I had a choice?", showing what a smooth-talker Han is.

The scene with Greedo in the original shoot was much shorter and did not contain the dialogue revolving around Han's dumping of stolen goods meant for Jabba. When the decision was made to cut the Jabba scene out, owing to the time and funds needed to add the desired stop-motion creature, a new version of the Greedo scene was filmed, this time using a female performer in the costume, which added the needed exposition that would have otherwise been lost. (During the interim, a method was found for articulating the snout of the Greedo mask by having the performer hold a clothespin in her mouth; one may notice that the shot wherein Greedo first confronts Han and forces him to sit does not feature the alien's mouth moving during its dialogue.)

In the original 1976 shoot, Jabba was actually played by a short, rotund man (Declan Mulholland), with the intention of changing the character (either through stop-motion or more traditional animation) into an alien. When the Special Edition was being compiled in 1995, ILM artists realised that Han walks around Jabba when talking, and decided to fix this potential problem by making Han step on Jabba's tail. The image of Harrison Ford in the shot was lifted digitally, resulting in a somewhat jarring motion. Another clue as to Jabba's original form is when Han says "Jabba, you're a wonderful human being." With Jabba now being an alien, the line becomes a wry joke on Han's behalf. Some of the original footage from this scene can be found in the television special From Star Wars To Jedi and before the feature of the Star Wars (Special Edition) VHS cassette. When the decision was made to restore the Jabba scene, too many years had passed to have Harrison Ford record new lines; therefore, the scene appears as it was originally scripted, redundant dialogue and all. These are Imperial code cylinders. They are given to officers to access computer mainframes and door locks. Their ranks designate them personalized code cylinders to allow them to accent certain levels of security. R2-D2 has one as well that he uses to hack computers and unlock doors. This backstory is only hinted at in the films, though the novelisation of the third prequel, Revenge of the Sith, and the uncut screenplay make it clearer. After his death in the first prequel, The Phantom Menace; Qui-Gon Jinn gained the ability to live on and observe events from within the Force (which is why we can hear him crying out after the Sand People are slaughtered in the second prequel, Attack of the Clones). Yoda is actually communicating with him as Obi-Wan returns with the dying Padmé in Revenge of the Sith (Qui-Gon's voice was reportedly recorded but ultimately deleted). In this missing scene, Qui-Gon states, "The ability to defy oblivion can be achieved, but only for oneself. It was accomplished by a Shaman of the Whills. It is a state acquired through compassion, not greed"; hence when Obi-Wan tells Vader, "If you strike me down, I shall become more powerful than you can possibly imagine", he refers to the fact that he can achieve what Anakin gave up his good side in search of. During their exile periods on Dagobah and Tatooine respectively, Yoda and Obi-Wan communicate with Qui-Gon and learn the ability to be absorbed into the Force at the time of their deaths; living on as translucent, hazy blue ghosts.

It does not seem to be essential, however; since both Anakin and Qui-Gon live on through the Force without being absorbed, though arguably Qui-Gon's ghost never appears and Anakin's never speaks (but, to be fair, in the only scene in which Anakin's ghost appears, nobody else, including Obi-Wan and Yoda, speaks either), so their influences could be weaker. (According to the missing scene, Yoda likely sees Qui-Gon as they communicate, and it is only the audience who cannot see him. Similarly, at the Rebels' party at the end of the second sequel, Return of the Jedi; Luke can see the three ghosts, but Leia—not to mention everybody else—cannot. In the sequel, The Empire Strikes Back, the audience seeing and hearing what Luke does; in Yoda's hut, Luke overhears Obi-Wan talking to Yoda, and quite possibly, Yoda can see him, but Luke cannot.)

Perhaps Qui-Gon was only able to manifest his voice into the minds of fellow Jedi after his death. [Obi-Wan does exactly the same thing in Star Wars, as he does not appear visually to Luke until The Empire Strikes Back. This may reflect the evolution of the story in George Lucas' mind, or perhaps Luke's developing perception of the Force, whereby Luke's first vision comes only in a delirious, semi-conscious state, but later he is able to see Obi-Wan clearly, and even to carry on detailed arguments with him. Anakin, when he first experiences Qui-Gon's voice (like Luke when he first experiences Obi-Wan's voice), is not a fully trained Jedi. Also, he (like Luke) is in the heat of battle, and does not have the inner calm necessary for good communication.] Appearing as a Jedi spirit may have required training during life which he had never received. But he was able to pass on this knowledge, so Yoda and Obi-Wan could have maximum benefit from it. Darth Vader witnessed Obi-Wan disappearing upon death, which may have prompted him to seek out this ability for himself during the times he was meditating inside his regeneration hub (seen in The Empire Strikes Back). With Darth Vader being possibly the most powerful user of the Force, it is not unthinkable that he could master the ability himself, perhaps even communicating with Qui-Gon's spirit (although this is pure speculation). However, he could only ever use it after turning from the dark side of the Force. After Anakin's death, it took a while for him to be completely on the light side of the Force, and perhaps his body disappeared during his cremation (or after). If this is also true for Qui-Gon, that means his ashy remains would have finally disappeared years after his death. (By the tale end of Return of the Jedi, it seems that Anakin was taught by Yoda and Obi Wan, just as Qui-Gon was taught after death.) Han Solo never said he didn't believe in the Jedi. He simply didn't believe that the Jedi had supernatural powers, as he never witnessed them for himself, dismissing the power of the force as simple tricks and nonsense. There were approximately ten thousand Jedi at the end of the Order. In the vast expanse of the galaxy, it's extremely unlikely Han ever met any of them, especially seeing as how he would have only been roughly 9 years old when the Republic fell. Princess Leia observes that the Imperial forces allowed them to escape the Death Star in order to track them to the Rebel base and this is later confirmed in the conversation between Darth Vader and Grand Moff Tarkin (Peter Cushing). However, Vader is intent on facing Obi-Wan in single combat and it seems doubtful that the Imperial stormtroopers or TIE fighter pilots were in on the plan, so the perils faced by the heroes are likely quite real. So it's likely that Tarkin ordered a small contingent of TIE fighters to destroy the Falcon. Had they destroyed it, the Death Star plans and Princess Leia would be destroyed. If they got away, they would reveal the location of the Rebel base; either way would work out for Tarkin, as he was too pompous to think the Rebels could actually have a hope of destroying the station. Though it was still "An awful risk..." as he puts it. His clear uncertainty regarding the plan seems to indicate that it was Vader's idea, rather than his own. Yes. During the scene where our heroes are caught in the trash compactor and are being aided by the droids R2-D2 and C-3PO via comlink, a group of Imperial stormtroopers manage to break into the control room where the droids are stationed. If you look at the stormtrooper on the right as he's rushing the door with the other troopers his height is too tall for the door frame so unfortunately he hits his head and it snaps back but like a trained trooper he recovers quickly and finishes the break in with the rest of the troopers. The stormtrooper hitting his head was actually a blooper and when Star Wars was released on DVD a thumping sound effect, which was not in the original release, (as well as the sound of another trooper saying 'Need a hand?') was added as the trooper hits his head. (In Attack of the Clones, Jango Fett bumps his own head on the hatch of Slave I when he and Boba are leaving Camino after his battle with Obi-Wan. The gag was included as an homage to the original blooper.) We see the beginning of the Death Star's construction at the end of Revenge of the Sith. As Star Wars officially takes place 19 years later, we may wonder why it took the Galactic Empire so long to get it built. It is especially confusing in Return of the Jedi, in which a second, larger and fully operational (though incomplete), Death Star was shown, no more than four years having passed since the destruction of the first.

The new canon novel Rogue One: Catalyst has to do a great deal with the construction of the Death Star. The Death Star was commissioned in secret by Palptine while the Clone Wars raged on. Palpatine's excuse for commissioning the station came from the knowledge that Dooku and the Separatists had already began construction on their own version of the station (Obviously Palpatine was the mastermind behind that as well). Governor Tarkin suggested they build their own in response and Palpatine agreed, enlisting Lieutenant-Commander Orson Krennic of the Engineering Corps to begin construction on the Death Star for the Republic. Krennic enlists the captured Geonosian leader, Poggle the Lesser to use his work force to construct the station. Poggle then orders his work force to stall and eventually sabotage the majority of the station before escaping and re-joining the Separatists. This causes a major setback in the construction and it is put on hold until a new work force can be secured.

Shortly after the fall of the Republic, and death of the Seperatists, Krennic manipulates his old friend Galen Erso in to joining the Empire to work on the Death Star's super-laser, under the guise of the project being for sustainable energy with the use of kyber crystals (Galen's expertise). Krennic knowing Galen is the only one capable of unlocking the power of the crystals without the use of the force. Once Galen finds out what his research is actually being used for, he takes his family and goes in to hiding. Delaying the work even more.Although Palpatine, the Emperor, was not featured in this film, it is mentioned by Grand Moff Tarkin that the Emperor has dissolved the Imperial Senate permanently, that the regional governors will now have direct control over their "territories" and that fear of the Death Star will keep the local systems in line. This means that during the first nineteen years of his reign, the Emperor kept the Senate intact in order to maintain the appearance that the people still had a certain amount of power (a ploy also used by Roman emperors); however in reality, the Senate probably had increasingly less to say, up to the point where the Emperor had so much military power that he could dismiss the Senate without much resistance. In the mythos of the Star Wars franchise, any Sith immediately outranks any member of the Imperials. However, that was back before the "Rule of Two" was introduced into the stories. It is possible that the Emperor was impressed with Tarkin's ruthlessness and ability to command the Imperial forces and so he is considered an equal to Vader, or simply the supreme commander of the Imperial forces, whereas Vader technically has no military rank (yet), just Lord and special servant to the Emperor (like Darth Maul was to Darth Sidious in The Phantom Menace. Tarkin never really gives Vader orders, but he simply tells him to release General Motti from his telekinetic choke and to terminate Leia. Vader and Tarkin obviously have a long history together, so Vader respects Tarkin enough to honour his requests: "As you wish." Any other scenes with Vader and Tarkin, they converse as if equals and Tarkin even refers to Vader as "my friend".

In the new canon novel Tarkin, the majority of which takes place roughly 5 years after the end of the clone wars. Emperor Palpatine, foreseeing how important they will both be to the Empire, sends Tarkin and Vader on a mission together. Much to their chagrin. During the mission, Vader comes to admire and respect Tarkin's fearless and brilliant combat tactics. Likewise, Tarkin respects Vader's abilities to wield the power of the force and even suspects that Vader is actually Anakin Skywalker (though he knows better than to ask), whom he came to respect as a Jedi during the clone wars. By the end of the novel, Tarkin is named Grand Moff. Making him one of the most powerful men in the galaxy, second only to The Emperor and Vader. Vader comes to respect him as a an equal and a friend. As close to a friend as Vader could have anyway. Pursued by Vader and two wingmen, Luke flies his X-Wing snubfighter down the Death Star trench. Suddenly, Han and the Millenium Falcon appear. Han shoots down one of Vader's wingmen. Distracted, the remaining wing ship crashes into Vader's ship and ricochets into the trench wall where it explodes. Vader's ship spins out of control. Han informs Luke that he is clear to fire on the exhaust port. Calling on the strength of the Force, Luke fires his proton torpedoes, hitting the port perfectly and causing the Death Star to explode, killing Tarkin and most of the senior Imperial staff before they could fire on the Rebel base. Following the successful destruction of the Death Star, Luke and Han head back to the Rebel base. Heavily damaged by Vader's hit on Luke's ship, R2D2 is sent for repairs while 3-CPO expresses his concern for his droid friend. In the final scene, Luke and Han are awarded medals for bravery by Princess Leia, while Chewabacca, 3-CPO, and a newly-repaired R2D2 applaud, along with hundreds of Rebel soldiers at an awards ceremony held in their honor. The first lightsaber effects were created using wooden dowel rods wrapped in Scotchlite (a reflective white material used for lettering on road signs for night visibility) which were attached to the saber hilts. The hilts contained small motors which would spin the rod, which would reflect a front-projected light source, causing a shimmering effect. The activation and deactivation of the lightsabers were accomplished by simply stopping the camera with the actor (usually) standing still and attaching or removing the rod before restarting the camera, resulting in a slight jump in the image. This approach was not entirely successful for a number of reasons. It was hoped that the reflective surface would cast ambient light on the saber's immediate surroundings, but this was rarely if ever noticeable. The brightness of the saber could vary drastically depending upon its angle relative to the front-projected light, and additionally, the wooden blades were very fragile and tended to break during the dueling scenes. A few of these in-camera effects found their way into the film's first teaser trailer. The in-camera approach not culminating in satisfactory results, ILM added an animated glow to the blades in post-production, now differentiating the color of the individual sabers, which had all previously been white. For unknown reasons, two separate shots (one of Obi-Wan's saber and one of Vader's) did not have this effect applied, and the shots appeared in the finished film with the characters holding plain white sticks. This discrepancy was finally addressed in the DVD release of the film.

Two shots appearing in the film differed from this approach. The first scene of Luke training aboard the Millennium Falcon featured a completely animated blade. Without a practical blade attached to the hilt for reference, the saber beam appears slightly unsteady in this shot. The shot in which Obi-wan activates his saber as he prepares to confront Vader, the only instance in the original film wherein the saber is seen to slowly extend from the hilt as it would in all subsequent films, was achieved by attaching a glass rod to the hilt, initially pointed directly at the camera. Alec Guiness turned his hand slightly in the course of the shot, causing reflected light to travel along the length of the tube and give the effect of of an extruding blade. Again, a rotoscoped glow was eventually added for a more dynamic visual effect. All subsequent films in the series dispensed with the Scotchlite approach completely, and the sabers were equipped with sturdier metal rods for both dueling and as guides for the animated blades. They were supposedly never part of any release of the film, having been edited out of the film long before the special effects, sound, and musical score were completed, and long before the first test screening. Though many fans claim to have seen them (as children, or on televised versions), they were never officially available until the CD-ROM "Behind the Magic" was released in the mid 1990s. Some photos from those scenes did, however, appear in books, such as The Star Wars Storybook, and the Marvel comic book adaptation. Lucas has said that these scenes were only added after he showed the script to friends, who told him that he waited too long (almost twenty minutes) to introduce the main character of Luke Skywalker. Lucas felt it would be best to follow the droids until their story connected with Luke, but he gave in to his friends' criticisms and added these new scenes. Soon after assembling a cut of the film, he realized these new scenes slowed down the pace of the opening section, so he edited them back out again. Also, one member of a private test screening upset Lucas by joking that these scenes made it look like "American Graffiti in space", and these comparisons were something he was desperate to avoid. In 1997, Lucas re-released the original Star Wars trilogy. All three movies were not only reissued on video, but were also released in theaters worldwide, due to the 20th anniversary of the first movie. These versions contain the most changes the saga has seen yet. Particularly in the case of the first movie; complete scenes received new animations, and new scenes were added or were enhanced by numerous new characters. It was shown in cinemas, released on video twice and broadcast on television countless times. The DVD edition is primarily the 1997 Special Edition with a few added changes for either continuity purposes or otherwise. For the recently released Blu-ray discs, Lucas altered some shots and dialogues of the Star Wars movies again. In the first movie mostly very small changes can be found like modified colors, (e.g. the hatch of the escape capsule) or a digital rock that was added to the movie in the scene where R2-D2 is hiding from the sand people. Additionally, tiny sound alterations are audible as well, including the reinstatement of the "Force theme" heard as the X-Wings dive at the Death Star (which had been mixed out in the DVD version), and last but not least, the Solo-Greedo scene was edited too, the gap between the blaster shots being reduced again. Lucas has stated that the more recent versions of the original trilogy are the "definitive" versions. He quoted a statement among moviemakers, "movies are not finished, they are abandoned", and added that he himself decided not to abandon his movies, but properly finish them. The reason for this is because at the time the original films were made (1977, 1980, and 1983), the technology to bring Lucas' true vision to the screen simply did not exist and the cost to realize it would have been astronomical. So with the technology available in the late 1990s through the 2000s; Lucas was able to touch-up, re-envision or create from scratch scenes from his original trilogy. On the flip-side, many die-hard Star Wars fans disagree with many of the changes or additions that Lucas made to his original trilogy (the most infamous being Greedo shooting at Han) and consider the original theatrical releases of the films the definitive "perfect" versions of the movies. It is your own personal opinion what version you consider "definitive"; but to ask the creator himself, you will find the newer "special editions" are his preferred visions. See the Star Wars Enhanced Script Presentation, with highlighted dialogue, over 900 screenshots appropriately placed, and soundtrack/audio effects highlights. Originally the plan was the release each Star Wars movie, post-converted to 3D every February, starting with The Phantom Menace, in 2012, though many fans complained about having to invest six years into getting to see each Star Wars movie in 3D. In late 2012, it was announced that both Attack of the Clones and Revenge of the Sith would be released back-to-back in late 2013. However, once Walt Disney Studios acquired Lucasfilm, and the production of Episode VIII was announced, Disney eventually declared that they were postponing the conversion to 3D and release of any more of the previous movies in order to focus on Episode VII. They also added that after production wraps on Episode VII they may continue to release the previous movies in 3D. As of October 2017, there has been no word at all on the 3D conversions of the saga. There may also be legal distribution issues. As 20th Century Fox still owns the distribution rights to the first six films. So it's highly unlikely we will see them post-converted. Keep in mind, the Death Star is a space station the size of a small moon. Which means it's massive. The intricate workings of such a design could have several glitches and flaws that would go unnoticed. One specific thermal exhaust port leads right to the main reactor. There could be tens of thousands of exhaust ports on the station. In Rogue One, it is explained that Galen Erso realized that the Death Star would be completed with or without his expertise, so he decided to play along and continue his work in building the Death Star's super weapon. However, he worked in a design flaw that would destroy the station but would go unnoticed by the Empire.


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The Akira Full Movie Download In Hindi


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A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

Download Formats: M4V, AVI, MTS, MKV, M2TS, 3GP, ASF

original title: Akira

genge: Animation,Action,Drama,Sci-Fi,Thriller


imdb: 8

duration: 2h 4min

tags: Signal Traced to Tokyo!

budget: JPY 1,100,000,000

keywords: postthermonuclearwar, cyberpunk, bikergang, giftedchild, sciencerunsamok, basedonmanga, anime, postapocalypse, military, psychic, supernaturalpower, government, alternatefuture, alternatehistory, bloo




















































A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop. Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo's supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira's secrets were buried 30 years ago. This is kind of movie you need to watch several times. It's a good movie but it's really confusing, the direction in this movie was my biggest gripe but I could don't really understand the end. However, the animation is excellent and strong. It is Japanese animated work (It's the first anime to get 5 stars in North America) and good enough to give a good mark. The story is a highly stereotypical anime but it has got some decent artwork and an underdeveloped plot line. The ending is Okay, tho I think the animation guys totally flipped their lids but it's fun to watch anyway. This film most definitely is not for everyone. highly recommended. I remember that when I first rented the video tape of Akira, I didn't like it, most likely because I didn't understand it. But after waiting 2 months for the special edition DVD of Akira, I gave it a second chance. The second time, I loved it! What probably drew me into it was the stunning and beautiful animation. A second factor that probably drew in even deeper, was the musical score. It is definitely the best I've ever heard. The violence here isn't really as graphic as some people have made it out to be. Yes, people get shot, yes there are bodies exploding, yes when people get punched or hit by foreign objects, blood does flow, but all the blood and gore here is sustained. I won't lie. I DID rent this movie expecting a gratuitous bloodbath, but to my surprise there isn't really all that much violence as in terms of graphic violence.

Akira gets a 10/10 'Akira' focus in the conflict of two teenager friends in a cyberpunk japan during a civil war, while one aquires god-like power to gain respect, the other acts instinctly to defeat him. 'Akira' is based on a manga series created by Katsuhiro Otomo. It was first published in 1982, was concluded in 1990 and is considered by many to be one of the best mangas of all time. The manga is over 2,000 pages in total and is able to give an in-depth explanation about certain characters. In the movie storyline, the so called 'Akira' was a boy who was used as a test subject as well as many other orphan children (including Masaru, Takashi and Kyoko) in a military experiment in 1988 in an attempt to investigate the potential for human supernatural ability. Akira proved to be the best of the group and one of the few who survived the experiment. However, Akira's powers were too destructive and he did not want to be used as a weapon. Extensive tests on Akira's body rendered him progressively unstable to the point that he was no longer able to control his own gifts, causing a nuclear explosion and the destruction of Tokyo. After Japan's downfall in the ensuing Third World War, Akira was subjected to numerous experiments attempting to discover the secret behind his immense power. Akira eventually died under experimentation and his organs were harvested and concealed underground for safekeeping.

There also seems to be a collective consciousness growing in Neo-Tokyo among its residents when the story picks up in 2019: the people in the city believe in Akira as a messiah, seen as a power that will one day save them from the poverty, corruption and civil unrest that Neo-Tokyo is plainly rife with. For that reason, the actual power of Akira is fed by the populace's collective fear and belief. Akira, as an intangible consciousness due to his extreme power, also appears to reach out to Tetsuo telepathically in order to be freed. The city was teleported to another dimension by Akira in 1988 and 2019. One of Akira's greatest powers is to create energy fields and teleport anything inside of it. He theoretically caused another Big Bang with Akira and "died" along with the three strange looking children, although it's theorized that he was elevated to another form of being and created a new universe of his own. The three psychic children do mention inexplicably that one day they would be able to bring Akira and Tetsuo back...but for now they become ultimate energy. The lead scientist had hopes that Tetsuo would be able to unlock the key to figuring out what made Akira so powerful and, likewise, reveal secrets about the creation of the universe, since Tetsuo now possessed almost the same powers that Akira originally had. The scientist was given a warning that Tetsuo was to be killed if his powers were to grow beyond his and their control... and as the expression goes, "curiosity killed the cat". In the end, his persistant attempts to unlock the secrets of Akira's power cost him his life. There have been several rumors sparked around the Internet about a potential Akira live-action adaptation, but there will not be one coming out any time soon, at least in the United States. It ultimately comes down to the massive budget that would be required to make the film. There is, however, a fan made trailer for Akira which follows both the manga and the film which can be found on YouTube. Akira is based on a six volume manga which is over 2,000 pages in length. Because the manga gives an in-depth explanation of the origins of Akira, and the movie is already about two hours, certain minor characters and backstories had to be cut/switched in order to fit the time limit of the film, leaving only the important details of the manga and giving abbreviated backstories of minor and major characters. The best way to understand the film is to either re-watch it a couple of times or read the manga. We learn about this information briefly during the memory sequence witnessed by Kaneda: during the 1980s, the children, including Akira, were part of a secret military program dealing with experimentation in supernatural mental powers. The physical toll on their bodies due to the experiments caused them to age drastically, though their growth was stunted and their voices remained child-like. Both Masaru and Kiyoko's bodies suffered the effects of old age, rendering them unable to move without the assistance of mobile chairs/bedrests, respectively.


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